Table of Contents
The AM 670 Enigma: A Frequency of Many Voices
The query “AM 670 live” appears simple, yet it opens a window into the complex and intensely local nature of terrestrial radio.
Unlike a global brand or a national television network, a radio frequency such as 670 AM is not a monolithic entity.
It is, more accurately, a specific plot of electromagnetic real estate, and its character, content, and identity are defined entirely by the local broadcaster licensed to operate on that frequency in a given market.
A listener tuning to 670 AM in one city will encounter a completely different world than a listener in another.
This principle is vividly illustrated by examining the various stations that occupy the 670 AM dial across the United States.
In Boise, Idaho, 670 AM is home to KBOI, a station that pairs with 93.1 FM to deliver news and conservative talk radio.1
Its programming is built around local personalities like Andy & Mark and Kevin Wall, supplemented by national conservative figures such as Clay Travis, Buck Sexton, and Charlie Kirk.
KBOI brands itself as “Real, Honest, Local Talk Radio,” explicitly positioning its content as an alternative to “sensationalism and conspiracy theories”.2
Travel southwest to Las Vegas, Nevada, and the 670 AM frequency transforms.
Here, it is occupied by KMZQ, which offers a blend of talk and sports under the banner “The RIGHT TALK for Las Vegas”.3
The lineup includes prominent conservative media personalities like Bill O’Reilly and Wayne Allyn Root, demonstrating a clear ideological focus tailored to its specific market.4
However, the most prominent and historically significant occupant of the 670 AM frequency resides in Chicago, Illinois.
Here, 670 AM is the home of WSCR, famously known as “670 The Score.” It is a premier, all-sports radio station owned by the major media corporation Audacy, Inc., and it stands as a cultural institution in one of America’s most passionate sports cities.5
The vast difference between the conservative talk of Boise, the hybrid format of Las Vegas, and the all-sports focus of Chicago reveals the core truth: the identity of AM 670 is not in the number itself, but in the local voice that brings it to life.
To truly understand the power and potential of this frequency, one must perform a deep analysis of its most consequential manifestation: Chicago’s WSCR.
Table 1: Overview of AM 670 Stations in Key Markets
| City/State | Call Sign | Station Name/Branding | Format | Key Programming |
| Chicago, IL | WSCR | 670 The Score | Sports Talk & News | Mully & Haugh, Rahimi & Harris, Spiegel & Holmes, Chicago Cubs & Bulls games 5 |
| Boise, ID | KBOI | KBOI 93.1FM & 670AM | News & Conservative Talk | The Club with Andy & Mark, The Clay Travis and Buck Sexton Show, The Charlie Kirk Show 1 |
| Las Vegas, NV | KMZQ | AM670 – The RIGHT TALK | Talk & Sports | The Wayne Allyn Root Show, Bill O’Reilly, The Tom Letizia Show 3 |
The Chicago Colossus: An Introduction to WSCR 670 The Score
In the competitive landscape of Chicago media, WSCR 670 “The Score” is not merely a radio station; it is a cultural heavyweight.
It has successfully branded itself as “Chicago’s No. 1 and most-listened to sports station” and, more intimately, as “the Chicago voice of the fan”.7
This identity is built upon a powerful foundation of technical superiority, exclusive content, and a deep, symbiotic relationship with its audience.
The station’s influence begins with its formidable broadcast signal.
WSCR is a Class A, clear-channel station operating at 50,000 watts, the maximum power permitted for commercial AM stations in the United States.6
This immense power ensures that its signal blankets the entire Chicago metropolitan area during the day.
At night, when AM signals travel farther, its reach extends across much of the Central and Eastern United States, making it an audible presence far beyond Illinois.6
This technical asset is a strategic advantage, allowing the station to build and maintain a massive listener base.
This reach is leveraged to its full potential through the station’s portfolio of exclusive, high-demand content.
WSCR serves as the official radio flagship and exclusive audio home for two of Chicago’s most storied professional sports franchises: the Chicago Cubs of Major League Baseball and the Chicago Bulls of the National Basketball Association.5
These partnerships provide a continuous stream of live game broadcasts, pre-game and post-game analysis, and exclusive interviews that are unavailable on any other radio outlet.
This content moat is a critical component of its market dominance, forcing fans of these teams to tune in to The Score.
The station’s stature is further reinforced by its corporate backing and infrastructure.
As an entity owned by Audacy, Inc., a major player in the American audio market, WSCR operates with significant resources.
Its studios are located at Two Prudential Plaza, a landmark skyscraper in the Chicago Loop, signaling its position as a premier media property.6
This combination of a powerful signal, exclusive rights to top-tier teams, and major corporate ownership creates a self-reinforcing cycle of success.
The exclusive content draws a huge audience, the powerful signal ensures broad and reliable access, and the station’s carefully cultivated branding as the “voice of the fan” fosters a deeply loyal, if sometimes critical, community of listeners.
This ecosystem is the key not only to its high ratings but also to its profound cultural impact on the city of Chicago.
A Century on the Dial: The Storied History of 670 in Chicago
The cultural significance of the 670 AM frequency in Chicago was not built overnight.
It is the result of over a century of broadcasting history, a layered narrative that reflects the evolution of American media itself.
The station now known as WSCR stands atop a legacy established by its predecessor, WMAQ, a true pioneer of radio.
The Pioneering Days (1920s): WGU to WMAQ
The story begins on April 12, 1922, when the station was first licensed as WGU.6
It was a joint venture between two Chicago institutions: The Fair, a major department store, and the
Chicago Daily News newspaper.6
In a move that captured the improvisational spirit of early radio, the newspaper’s business manager, Walter A.
Strong, hired a young woman named Judith C.
Waller to run the station.
When she protested that she knew nothing about radio, he famously replied, “neither do I, but come down and we’ll find out”.6
Waller would go on to become a broadcasting legend, Chicago’s “First Lady of Radio,” who managed the station through its formative years and later served as a public affairs director for N.C.6
After a brief period of technical adjustments, the station was relicensed on October 2, 1922, with the new, randomly assigned call letters WMAQ.6
The station’s staff creatively turned the call sign into a mission statement and motto: “We Must Ask Questions”.6
In 1923, in a move that would define its future, WMAQ was assigned to the powerful 670 kHz frequency, securing its prime position on the Chicago dial.6
The Golden Age of Radio (1930s-1980s): An NBC Flagship
The station’s influence grew exponentially when it was purchased by the National Broadcasting Company (NBC) in 1931, becoming a key owned-and-operated station for the network’s Red Network.6
From its lavish studios in Chicago’s Merchandise Mart, WMAQ became a national programming powerhouse.
It was the originating station for some of the most famous shows of radio’s golden age, including the massively popular “Amos ‘n’ Andy” and the beloved sitcom “Fibber McGee and Molly”.10
WMAQ was also an early innovator in sports broadcasting.
As early as 1925, Judith Waller approached chewing gum magnate and team owner William Wrigley with the idea of broadcasting Chicago Cubs games live from Wrigley Field.
The result was one of the earliest play-by-play broadcasts, called by Hal Totten.10
For nearly six decades, WMAQ was a dominant force in Chicago media, a cultural touchstone that also launched affiliates WMAQ-TV (Channel 5) and WMAQ-FM (101.1 FM).6
By 1934, after a rival station’s license was moved to another city, WMAQ officially became Chicago’s oldest surviving radio station, a title it holds to this day (though its call letters have changed).6
The Transition and the Birth of The Score (1990s-2000)
The media landscape began to shift in the late 20th century.
After NBC’s parent company sold the station in 1988, WMAQ transitioned into an all-news format for most of the 1990s.6
During this same period, a new and disruptive format was emerging.
On January 2, 1992, the all-sports station “The Score” was launched, with the call sign WSCR, but it operated on the weaker 820 AM frequency.6
It later moved to another frequency, 1160 AM.6
The pivotal moment in the history of 670 AM came on August 1, 2000.
In a strategic masterstroke, Infinity Broadcasting (the predecessor to Audacy) made the decision to move its popular and growing WSCR “The Score” sports-talk operation to the 670 kHz frequency.
At the same time, it retired the historic WMAQ call letters that had defined the frequency for 78 years.6
This was far more than a simple frequency change.
It was the fusion of a modern, popular format with the superior infrastructure and century-long legacy of a heritage radio signal.
The Score inherited the power, reach, and prestige built by WMAQ and NBC, giving it an unparalleled platform to dominate the Chicago sports media market for the next generation.
Table 2: Historical Timeline of the 670 AM Frequency in Chicago
| Year | Call Sign | Owner | Key Format/Identity | Significant Events/Personalities |
| 1922 | WGU | The Fair Store & Chicago Daily News | Variety / Experimental | Licensed April 12; Managed by Judith C. Waller 6 |
| 1922 | WMAQ | The Fair Store & Chicago Daily News | Variety / Talk | Relicensed as WMAQ in October; Motto: “We Must Ask Questions” 6 |
| 1931 | WMAQ | National Broadcasting Company (NBC) | Network Flagship / Variety | Became a key NBC owned-and-operated station; home to “Amos ‘n’ Andy” 6 |
| 1988 | WMAQ | Westinghouse Broadcasting | All-News | Format shifted after sale from NBC’s parent company 6 |
| 2000 | WSCR | Infinity Broadcasting (now Audacy) | Sports Talk & News | “The Score” format moves to 670 AM; WMAQ call letters retired 6 |
The Modern Score: Programming, Personalities, and Turmoil
Today, WSCR “The Score” is defined by its daily lineup of on-air personalities, who drive the conversation and shape the station’s character.
The station has long cultivated a brand of smart, opinionated, and often confrontational sports talk.
However, it is currently navigating a period of significant turmoil and identity shift, sparked by dramatic changes to its midday programming that have shaken its loyal listener base to its core.
The station’s weekday schedule is anchored by three distinct shows that carry listeners from morning commute to evening drive.
- Morning Drive (5:30 a.m. – 10:00 a.m.): Mully & Haugh
Hosted by Mike Mulligan and David Haugh, this is the station’s long-running and stable morning show. It consistently performs well in the ratings, providing a familiar and reliable start to the day for Chicago sports fans.5 - Midday (10:00 a.m. – 2:00 p.m.): Rahimi & Harris
This time slot is the epicenter of the station’s recent upheaval. The show, co-hosted by Leila Rahimi and Marshall Harris, was formed following the controversial departure of 29-year station veteran Dan Bernstein.5 - Afternoon Drive (2:00 p.m. – 6:00 p.m.): Spiegel & Holmes
Co-hosted by Matt Spiegel and Laurence Holmes, this show features two of the station’s most respected veterans. It is known for its insightful analysis and has also been a strong ratings performer.5
The personalities behind these shows are central to the station’s brand and the current conflict.
The departure of Dan Bernstein created a massive void.
A host for nearly three decades, Bernstein was a polarizing figure known for his intellectual and often combative style—what one fan described as a “righteous rage” that elevated sports talk beyond mere games.17
His exit, following a social media controversy, has been met with anger and disappointment from a large segment of the audience who considered him essential to the station’s identity.17
Into this void stepped two figures representing different aspects of the station’s future.
Leila Rahimi, a highly respected and experienced sports journalist, was elevated to the full-time midday co-host role.
This move was a historic milestone, making her the “first female, full-time, primetime, lead sports radio host in Chicago”.15
Her promotion was praised by station management as a commitment to “top-tier hosts” with deep knowledge of Chicago sports.15
Her partner, Marshall Harris, however, has been met with a starkly different reception.
Harris, a broadcaster with experience in other markets, was brought in to co-host, but a vocal contingent of the station’s core listeners has rejected him.
Online forums are filled with criticism, labeling him a “meatball” and “radio quicksand,” and accusing him of offering “empty platitudes” that dumb down the station’s signature brand of smart talk.18
This clash represents more than a simple lineup change; it is a high-stakes gamble by station management, led by Vice President of Sports Programming Mitch Rosen.13
By replacing a brand-defining, albeit polarizing, veteran with a controversial newcomer, the station may be attempting to broaden its appeal.
However, in doing so, it has risked alienating the very core audience that built its identity and drove its ratings for decades.
The listener backlash is not just about one host; it is a battle for the soul of the station, a fundamental conflict between a new programming strategy and the established brand identity that its community has come to cherish and protect.
Table 3: WSCR “The Score” Current Weekday Program Schedule
| Time Slot (CT) | Show Name | Hosts | Description/Style | Key Recurring Guests |
| 5:30 a.m. – 10:00 a.m. | Mully & Haugh | Mike Mulligan, David Haugh | Long-running, highly-rated morning drive show setting the day’s sports agenda.5 | N/A |
| 10:00 a.m. – 2:00 p.m. | Rahimi & Harris | Leila Rahimi, Marshall Harris | New midday show featuring a veteran Chicago journalist and a controversial newcomer; focus on listener interaction.5 | Mark Grote (Bears reporter), T.J. Edwards (Bears LB), Jed Hoyer (Cubs President) 15 |
| 2:00 p.m. – 6:00 p.m. | Spiegel & Holmes | Matt Spiegel, Laurence Holmes | Afternoon drive show with two station veterans known for insightful analysis and engaging discussion.5 | Craig Counsell (Cubs Manager), Dave Wannstedt (Former Bears Coach), Olin Kreutz (Former Bears Center) 22 |
The Arena of the Airwaves: WSCR in the Chicago Sports Media Ecosystem
The turmoil within WSCR is playing out against the backdrop of one of the most competitive and passionate sports media markets in the country.
The Chicago market is effectively a duopoly in sports radio, a head-to-head battle between WSCR “The Score” and its primary rival, WMVP, better known as ESPN 1000.5
An analysis of ratings data and strategic assets reveals that while the competition is fierce, The Score has consistently maintained a significant advantage.
According to Nielsen Audio data for the key advertising demographic of men aged 25-54, WSCR has established a clear lead over ESPN 1000.
In the Fall 2023 ratings book, for example, The Score ranked third in the market during the weekday prime hours of 6 A.M. to 7 P.M., earning a 5.5 share.
In stark contrast, ESPN 1000 finished a distant 18th with a 2.7 share.14
This dominance extended across all major dayparts:
- Morning Drive: Mully & Haugh on The Score ranked second with a 6.2 share, while ESPN 1000’s programming was 21st with a 2.5 share.
- Middays: The Score’s midday show ranked third with a 6.1 share, while ESPN 1000 was tied for 17th with a 2.4 share.
- Afternoon Drive: Parkins & Spiegel (the show at the time) on The Score ranked third with a 4.8 share, while ESPN 1000’s afternoon show was tied for 15th with a 3.1 share.14
This ratings gap is particularly revealing because of the strategic division of broadcast rights in the city.
While The Score holds the valuable rights for the Chicago Cubs and Chicago Bulls, ESPN 1000 is the flagship station for the Chicago Bears of the NFL—unquestionably the city’s most popular team—and the Chicago White Sox of MLB.6
The fact that WSCR consistently wins the ratings battle, often by a wide margin, despite its rival holding the rights to the Bears, is profoundly significant.
It strongly suggests that The Score’s daily talk programming and the appeal of its on-air personalities are the primary drivers of its success.
For the core audience, the quality of the conversation between the games is more important for daily listening habits than the games themselves.
This elevates the importance of the station’s on-air identity.
The division of broadcast rights creates a situation where neither station can fully vanquish the other; each possesses an indispensable asset that a segment of the fan base needs.
This forces them to compete directly on the quality, character, and style of their talk shows.
It is in this arena that the “smart talk vs. meatball” debate becomes more than just a cultural preference—it becomes a core business strategy.
The internal conflicts over personality and style at The Score are not happening in a vacuum; they are a direct threat to the very foundation of the station’s competitive advantage in a brutal market.
Table 4: Comparative Ratings Analysis: WSCR vs. ESPN 1000 (Men 25-54, Fall 2023)
| Daypart (Weekday) | WSCR “The Score” (Share / Market Rank) | ESPN 1000 (Share / Market Rank) | Winner | |
| Prime (6a-7p) | 5.5 / 3rd | 2.7 / 18th | WSCR | |
| Morning Drive (5:30a-10a) | 6.2 / 2nd | 2.5 / 21st | WSCR | |
| Middays (10a-2p) | 6.1 / 3rd | 2.4 / T-17th | WSCR | |
| Afternoon Drive (2p-6p) | 4.8 / 3rd | 3.1 / T-15th | WSCR | |
| Source: Nielsen Audio data as reported by Barrett Media 14 |
The Voice of the Score Head: An Analysis of the Listener Community
To understand WSCR is to understand its audience.
The station’s listeners are not a passive demographic; they are an active, engaged, and fiercely protective community who self-identify as “Score Heads”.6
This dedicated fan base, which interacts with the station through call-ins and vibrant online forums like the r/670TheScore subreddit, is both the bedrock of the station’s success and the source of its most intense pressure.
An analysis of their public commentary reveals a complex relationship built on loyalty, nostalgia, and a profound sense of ownership.
A powerful theme that emerges from the community is a deep sense of nostalgia and personal loss.
The recent string of departures, including long-time hosts Dan Bernstein, Dan McNeil, and Danny Parkins, has been felt not as a simple programming change, but as a personal blow.
One user on Reddit articulated this feeling with poignant sincerity: “I feel like I lost my buddies…
I’ve always been that weirdo with sports radio on in my car 24/7, never music, even in high school.
Now ive got to like ‘rediscover music’ or something”.20
This sentiment reveals that for many, The Score is more than just sports analysis; it is daily companionship.
This deep connection fuels their role as self-appointed guardians of the brand.
Listeners frequently praise the station’s legacy of “relatively smart sports talk” and celebrate the intellectual, often confrontational style of past hosts.18
They see it as their duty to defend this identity against what they perceive as a “dumbing down” of the product.
The hiring of Marshall Harris, in particular, has been met with visceral rejection precisely because he is seen as the antithesis of this brand promise.
The criticism is blunt and unforgiving, with users calling his on-air presence “brutal” and “diabolically bad”.18
One commenter lamented that the station should be looking for “authentic energy” rather than “people who are careful to say the right thing”.20
This vocal base creates a constant, real-time feedback loop for station management.
While the station’s branding as the “voice of the fan” was instrumental in building this passionate community, that same passion now makes it incredibly difficult for the station to evolve.
The audience does not behave like a group of consumers who can simply switch to another product.
They act as betrayed stakeholders, believing they have an emotional equity stake in the station’s identity.
The anger and frustration expressed online stem from a place of deep loyalty and a fear of losing something they genuinely love.
This creates a modern paradox of fan engagement: the station’s greatest asset, its intensely loyal community, has also become its greatest strategic constraint, resisting changes that threaten the identity they helped build and have fiercely protected for decades.
How to Tune In: A Practical Guide to Listening Live
For listeners wanting to access the live broadcasts of AM 670 stations like Chicago’s WSCR, Boise’s KBOI, or Las Vegas’s KMZQ, a variety of modern platforms are available, extending far beyond the traditional radio dial.
- Traditional Radio: The most direct method is to tune a standard AM radio to the 670 frequency. This is effective for listeners within the respective station’s terrestrial broadcast range.1
- Desktop and Laptop Computers: Nearly all major radio stations offer a live web stream directly on their official websites. For WSCR, this is available via the “Listen Live” feature on the Audacy website.6 Likewise, KBOI offers a web player on its site.1 Listeners can also use third-party aggregator websites like TuneIn and Radio.net, which carry the streams for numerous stations.1
- Mobile Apps: For listening on the go, dedicated mobile applications are the most convenient option. WSCR’s parent company, Audacy, has its own app which is the primary mobile platform for the station.8 Other multi-station apps like iHeartRadio and TuneIn also provide access and are available on the Apple App Store, Google Play Store, and Amazon App Store for a wide range of devices.1
- Smart Speakers: Voice-activated smart speakers have become a popular way to access radio. By using a simple voice command such as, “Alexa, play 670 The Score” or “Hey Google, play KBOI,” listeners can easily stream the station live on their Amazon Echo or Google Home devices.1
- Other Connected Devices: The reach of internet radio extends to a growing number of other platforms. Many smart TVs, gaming consoles (like PlayStation and Xbox), and even smart watches allow users to install streaming apps such as iHeartRadio or TuneIn, making it possible to listen to stations like WSCR across virtually any connected device.1
Conclusion: The Enduring Power of a Local Radio Frequency
The journey that begins with the simple query “AM 670 live” ultimately reveals a profound truth about the nature of media and community.
A radio frequency, on its own, is merely a number on a dial, a silent channel in the ether.
Its value, its identity, and its power are forged over time by the voices that occupy it.
The 670 AM frequency in Chicago is a premier piece of cultural real estate, its value built layer by layer over a century of broadcasting by its tenants—from the determined pioneers of WMAQ to the modern talk-show warriors of “The Score.” Its rich history is not just trivia; it is the very foundation of its present-day influence.
Ultimately, the story of AM 670 in Chicago is a deeply human one.
It is a story of ambition, captured in the spirit of a young Judith Waller being told to simply “find out” how to run a radio station.
It is a story of creative genius, embodied by the national phenomenon of “Amos ‘n’ Andy” broadcasting from a studio in the Merchandise Mart.
And today, it is a story of conflict and connection, defined by the polarizing passion of its hosts and the fierce, unwavering loyalty of the “Score Heads” who tune in every day, feeling as though they have a personal stake in the conversation.
In an era increasingly dominated by global, on-demand, and often impersonal digital content, the enduring power of a local AM radio station is its unique ability to build, sustain, and give voice to a specific, tangible, and deeply felt community.
It is a living forum where the triumphs, frustrations, and obsessions of a city are debated and mythologized in real time.
The crackle of the static on the dial is, in the end, the sound of a city talking to itself.
Works cited
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